Tag Archive for: workshop

Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, Hugo House’s asynchronous learning platform.

E. M. Forster wrote that “incident springs out of character, and having occurred it alters that character.” How do we create characters who will both cause interesting things to happen and be changed by their world? How do we get a whole lifetime across without an awkward backstory dump? What differences should we consider when crafting characters for novels versus short stories? How can a memoirist get real-life characters onto the page?

This workshop is designed to help participants write an original short story or the first chapter of a novel or memoir — or to continue work on one in progress. Participants will work on their projects outside of the workshop sessions.

In each session, Rebecca will teach a different aspect of writing craft. (In our four sessions, we’ll focus on backstory, motivation, dialogue, and character evolution.) There will be discussion of what we’re writing and what we’re reading, but sessions will primarily focus on Rebecca’s craft lessons. Because you won’t be workshopping each other, this class will be a friendly and challenging learning environment for writers at all levels of education and experience.

?After the fourth session, participants will submit their projects (no more than 12 pages) to Rebecca, and she will provide feedback to each person in the form of a marked-up manuscript and a brief feedback letter.

Code of Conduct

We look forward to building an inclusive, supportive community of writers during our workshop and will not tolerate racist, sexist, or homophobic views. By signing up for this workshop, you’re agreeing to uphold these norms. Though we don’t expect this to happen, if someone violates these norms, they will be removed from the workshop without a refund.

Written feedback from Rebecca is contingent on the writing sample you submit being coherent. You don’t need to be an experienced (or published!) writer by any means, nor do you need to have perfect command of all aspects of English grammar, but your writing should be comprehensible.

E. M. Forster wrote that “incident springs out of character, and having occurred it alters that character.” How do we create characters who will both cause interesting things to happen and be changed by their world? How do we get a whole lifetime across without an awkward backstory dump? What differences should we consider when crafting characters for novels versus short stories? How can a memoirist get real-life characters onto the page?

This workshop is designed to help participants write an original short story or the first chapter of a novel or memoir — or to continue work on one in progress. Participants will work on their projects outside of the workshop sessions.

In each session, Rebecca will teach a different aspect of writing craft. (In our four sessions, we’ll focus on backstory, motivation, dialogue, and character evolution.) There will be discussion of what we’re writing and what we’re reading, but sessions will primarily focus on Rebecca’s craft lessons. Because you won’t be workshopping each other, this class will be a friendly and challenging learning environment for writers at all levels of education and experience.

?After the fourth session, participants will submit their projects (no more than 12 pages) to Rebecca, and she will provide feedback to each person in the form of a marked-up manuscript and a brief feedback letter.

Code of Conduct

We look forward to building an inclusive, supportive community of writers during our workshop and will not tolerate racist, sexist, or homophobic views. By signing up for this workshop, you’re agreeing to uphold these norms. Though we don’t expect this to happen, if someone violates these norms, they will be removed from the workshop without a refund.

Written feedback from Rebecca is contingent on the writing sample you submit being coherent. You don’t need to be an experienced (or published!) writer by any means, nor do you need to have perfect command of all aspects of English grammar, but your writing should be comprehensible.

E. M. Forster wrote that “incident springs out of character, and having occurred it alters that character.” How do we create characters who will both cause interesting things to happen and be changed by their world? How do we get a whole lifetime across without an awkward backstory dump? What differences should we consider when crafting characters for novels versus short stories? How can a memoirist get real-life characters onto the page?

This workshop is designed to help participants write an original short story or the first chapter of a novel or memoir — or to continue work on one in progress. Participants will work on their projects outside of the workshop sessions.

In each session, Rebecca will teach a different aspect of writing craft. (In our four sessions, we’ll focus on backstory, motivation, dialogue, and character evolution.) There will be discussion of what we’re writing and what we’re reading, but sessions will primarily focus on Rebecca’s craft lessons. Because you won’t be workshopping each other, this class will be a friendly and challenging learning environment for writers at all levels of education and experience.

?After the fourth session, participants will submit their projects (no more than 12 pages) to Rebecca, and she will provide feedback to each person in the form of a marked-up manuscript and a brief feedback letter.

Code of Conduct

We look forward to building an inclusive, supportive community of writers during our workshop and will not tolerate racist, sexist, or homophobic views. By signing up for this workshop, you’re agreeing to uphold these norms. Though we don’t expect this to happen, if someone violates these norms, they will be removed from the workshop without a refund.

Written feedback from Rebecca is contingent on the writing sample you submit being coherent. You don’t need to be an experienced (or published!) writer by any means, nor do you need to have perfect command of all aspects of English grammar, but your writing should be comprehensible.

E. M. Forster wrote that “incident springs out of character, and having occurred it alters that character.” How do we create characters who will both cause interesting things to happen and be changed by their world? How do we get a whole lifetime across without an awkward backstory dump? What differences should we consider when crafting characters for novels versus short stories? How can a memoirist get real-life characters onto the page?

This workshop is designed to help participants write an original short story or the first chapter of a novel or memoir — or to continue work on one in progress. Participants will work on their projects outside of the workshop sessions.

In each session, Rebecca will teach a different aspect of writing craft. (In our four sessions, we’ll focus on backstory, motivation, dialogue, and character evolution.) There will be discussion of what we’re writing and what we’re reading, but sessions will primarily focus on Rebecca’s craft lessons. Because you won’t be workshopping each other, this class will be a friendly and challenging learning environment for writers at all levels of education and experience.

?After the fourth session, participants will submit their projects (no more than 12 pages) to Rebecca, and she will provide feedback to each person in the form of a marked-up manuscript and a brief feedback letter.

Code of Conduct

We look forward to building an inclusive, supportive community of writers during our workshop and will not tolerate racist, sexist, or homophobic views. By signing up for this workshop, you’re agreeing to uphold these norms. Though we don’t expect this to happen, if someone violates these norms, they will be removed from the workshop without a refund.

Written feedback from Rebecca is contingent on the writing sample you submit being coherent. You don’t need to be an experienced (or published!) writer by any means, nor do you need to have perfect command of all aspects of English grammar, but your writing should be comprehensible.